I’m a fan
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Oh wow! No I had not. That is some gorgeous material. Thanks for the shoutout.
I haven’t picked up my cheap duduk in ages. I should rectify that soon. Don’t know if I’ll ever achieve that haunting expressiveness that the duduk is known for. I often wonder how much of my limitation is due to skill level (definitely low), and how much is due to the quality (or lack thereof) of the reed.
And now after watching his fingers, I realize I really need to learn how to use a piper’s grip. I used to think it was just to improve dexterity, but now I think it also helps control micro tuning when partially lifting the finger. I know the embouchure plays a huge roll (I’ve got some control there), but he is doing a lot with his fingers as well (I definitely struggle with this).
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Yeah, I was also amazed what tonality he got out of that duduk and immediately thought of your flute playing. Happy it inspired!
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Pink Floyd soundtrack 
The part being played is not “Careful with that axe Eugene”, but is clearly a variant of it made in the same time period.
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Yes, it’s a re-recording called “Come in Number 51, Your Time Is Up”
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Martin Peters on YouTube is a wonderfully talented Dutch electronic musician, especially for that great Berlin school stuff. I’ve listened to him for years and I just love it.
Check out all his stuff, it’s worth it:
If you need an endorsement:
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Playing through the Cluster and Eno collabs
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Love this album! Especially #6 and #9, very special, very unique.
Aphex Twin have push the spatialization to the state of the art
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Eric Morillo
Too pushed…error
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I kind of wouldn’t mind if Richard D. James’ had skipped his “An unsettling caricature of my face” phase 
Here’s Screamo I learned about today:
I don’t really understand what you say
the simple message he want to give is “TV can be dangerous”
(As a book can be also)
Simple
