AirWindows
3 Likes
Thank you for sharing this terrific concept of converting mono signals into stereo! Here is your patch after updating the Interstage with the version by Airwindows, as suggested by @PaulPiko (Thanks!).
mono-to-stereo_reverb_with_mid-side_Airwindows version_20240731.vcvs (10.4 KB)
I then created a use case with a serene string-like sound and key controls being managed via PatchMaster. Import this .vcvs via stoermelder’s STRIP++ as described elsewhere.
Mono signal to stereo reverb_Use case_20240731.vcvs (26.0 KB)
Thank you for sharing these nine basic patch selections! Very nice and useful and educational 
!
1 Like
I’m glad you like them
I was looking at your patch and this afternoon I’ll take a look at “proteus”, looks interesting
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I think Proteus is great!
If you don’t know it, also take a look at the Proteus expander (ProteusX) to add even more variety using rests, transpose and a pattern bank.
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Voltage-controlled switch
A signal of 0-10V determines which output the input is routed to.
2 Likes
Random gate generator
With varying clock rate and pulse width.
Square LFO triggers the gate of S&H, which in turn loops back to modulate the frequency of the LFO. Offset module to control ranges. Higher S&H values yield higher clock rates.
Modified from a video by Omri Cohen.
Random gate generator_20241001.vcvs (3.9 KB)
2 Likes
Flexible Quantizer
A user-friendly way to quantize a pitch CV input signal flexibly using Coerce by SIM. Coerce quantizes the input on its IN port to the notes fed into the QUANT port.
The pitch CV input can be mono- or polyphonic. In the example, NoteSeq16 by JW is used to generate a monophonic sequence.
The notes selected for quantization can be entire scales, chords or just a few notes. Advancing the associated NoteSeq16 switches to the next quantization template.
Allows for e.g. easily creating ‘transposed’ arpeggios with flexible quantization.
Flexible quantizer_20241005.vcvs (15.1 KB)
4 Likes
Complex custom sine-derived LFO (mono- and polyphonic versions)
A single complex LFO is created additively from up to 8 sine LFOs of different frequencies, offsets and scales. Contributions (weights) of the source LFOs are controlled in MATRIX81 (Bogaudio). Offset and ampliude of the final LFO is adjusted in OFFSET (Bogaudio).
Complex custom sine-derived LFO_monophonic_20241029.vcvs (11.0 KB)
There also is a polyphonic version of it, but it does not offer much advantage.
Complex custom sine-derived LFO_polyphonic_20241029.vcvs (8.6 KB)
3 Likes
16 complex custom sine-derived LFOs (polyphonic)
Moly Patrix (computerscare) is used to create up to 16 complex LFOs by mixing up to 16 different sine LFOs of different frequencies. Results are spread across 16 channels. Use Output attenuators in Moly Patrix and knobs in Poly Offset (Venom) to scale and offset results. The optional Poly Mute (Count Modula) is used to mute individual LFOs (sets output to zero).
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Polyphonic ADSR with cycle completion
The setup allows a new ADSR cycle to be initiated only after the prior ADSR cycle has completed.
Shown are two variants using different ADSR modules a.) ADSR EG by VCV and b.) EG x VCA by Surge XT.
To sense completion of a cycle, ADSR output is compared to a low constant value (0.01V) using Compare (VCV), which in turn arms a trigger buffer (ML Modules). The trigger is then released from the buffer upon next input.
Polyphonic ADSR with cycle completion_ADSR EG_20241113.vcvs (21.4 KB)
Polyphonic ADSR with cycle completion_EG x VCA_20241113.vcvs (24.3 KB)
As use cases, here are two examples that generate random flowing chords of 4 and 8 notes, respectively:
Use case_4-note flowing chords_EG x VCA_20241113.vcvs (25 KB)
Use case_8-note flowing chords_EG x VCA_20241113.vcvs (33.3 KB)
2 Likes