Putting all my stuff in one thread does seem like a good idea. I’ll start out with an older piece I consider my first successful patch. I have a YouTube channel with a variety of Rack-related works, I’ll cherry pick that collection and post some more stuff as time goes by. Comments are always welcome, of course.
Hi Lars ! I hoped to go but we’ve moved into a new location and I can’t afford the trip. There’s usually a crowd, and yes, they do publish vids and a proceedings book. It’s a very fine event, and CCRMA is an excellent place for it. I gave a keynote address there for LAC a few years ago, had a terrific time meeting John Chowning and jamming with Julius Smith. Are you planning to go ?
No, I’m not involved at all, but I am an old Linux hand. Remember occasionally reading about you on LWN.net, and unless Apple come to their senses it looks like my next machine, when the time comes again, will be a Linux box, so I’d be nice to catch up with the state of Linux audio.
Cool, I hope you find the change stimulating. I’ve come across a few other rather negative assessments re: Apple but I have no experience on the platform. I do remember that Brad Garton and Peter Kirn both advised me to not buy a Mac at a time when I was considering one. They knew how I worked with Linux and they were pretty sure I’d be unhappy with Apple’s way of doing things, especially development-wise. I’d still like to work with some of the best applications for the Mac but I highly doubt I’ll ever switch platforms again. I’ve been using Linux for about 25 years, I’m awfully comfortable with it.
Something different. I’ve used a 12-tone row as the source material for this piece, the composition proper was created with an external MIDI sequencer, and I’ve used the VST Host module to deploy the great Pianoteq plugin. I’m sure that this one will have more limited appeal, but I enjoy highly chromatic music along with the more meditative stuff. Gotta stay well-rounded in this modern musical era.
Something like a chiptune, I guess. Playing with two Logistiker modules to generate performance material to be thoroughly digested by two Audible Instruments Resonators, one AI Modal Synthesizer, and a matched pair of Functional VCOs from Squinky Labs. Modulation points abound, with crazy delays on the ever-changing percussion sounds. Funny stuff happens.
Thank you, Jim. You were definitely in my mind when I was shaping the music, I hoped you’d enjoy it. I’ll add the others in the series over the next few days. Rack still got a hold on me.
That’s a fantastic piece Dave, I love it - really well done! The most impressive thing to me is the demonstration of what you can do with 3 oscillators (if I’m not counting wrongly) and a whole bunch of modulation and switching. You make it sound like a whole orchestra. Wow!