I’ve always been fascinated with “Ambient 1/Music For Airports”, and the techniques that Brian Eno used to create it, which basically amounts to tape loops and then hands off. So here’s my first stab at playing with this technique, and since I’m not using tape but pure synthesis, I’m calling it “phase loops”, for lack of knowing a more official term for it. The two key bits to the patch are the two trigger delays (Elsker) - The first one for starting each loop at a specific time, and the second one for the length/duration of each loop. It’s an interesting technique and there’s definately more to explore here.
