Matthew Paine Music

Cheers! Cheer! Cheers!!!

Nice! When I studied composition a few years back, my main lecturer Warren Burt really pushed a lot of mid early/mid 20th century comp techniques. 12 tone ia a great comp technique to have in the tool kit. Happy to discuss!

Having fun with Pallete. I’m late to the pallette party! Stringy guitary tones directly inspired by a demo by Jim Frye. Thanks Jim! I thought aspects of his demo resembled a TOOL type bass and guitar tone and I wanted to give it a crack. Lots of subtle modulation on the pallette modules helping the wailing effect and loads of distortion! Cheers!

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Superb! Great rhythm. I think I hear an occasional sample here and there. Were they triggered from and played within VCV Rack (which sampler?) or added later in the arrangement?

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The female vox, snare and hiphop sample are being randomly fired by a quad sampler. Bottom right patch. Added in the breath and broken glass sample post patch. Cheers!!!

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Nice piece Matt with great sounds. Palette is a great module, first of all because it’s Plaits which is great, second because all the semi-hidden features of Plaits are broken out very nicely, to play with directly, and then it adds unique things that Plaits don’t have, like unison, plus it’s quite user friendly and uses little CPU. Extremely versatile module that can be used for almost anything.

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Thanks so much Lars! I’m so ignorant! I had no idea it was based on plaits. :person_facepalming:

Chance driven random fire drum and vocal samples with random switching. All channels recorded separately and dynamically panned with Logic Pro’s Binaural panner. A strange experiment with no clear goal. Blindly following the creative pull with this one. Side note: I usually consider the binaural panning thing as a headphone experience but it sounds pretty trippy on normal speakers. Especially in my car for whatever reason. Cheers

Having lots of fun making hectic drum patches (right) lately. Here I have built an additional plucky patch (left) at the same tempo a layered over the top of the drum patch. I’ve got more patches in the works that I think I will add to this to make a larger composition.

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Amazing! Nice vibe.

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Cheers!!! looking forward to expanding this one.

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I am currently generating ideas and patch’s that will act as sections within a larger piece. MIDI mapping the novation for controller performance fun :slight_smile: This particular patch is a bit of an FM OP party. I mapped the Feedback and Decay of the 4 FM OPs to the Novation Control. There are delays on the three upper voices with a mapped LP filters to control the signal flow.

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Super simple one today. Precomposed MIDI files through FM OP’s and an old drum patch. This little project was a perfect creative escape from the burn of long hours at my day job this week. I love that I have music creation as an escape as much as an expression.

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Nice! Love the drums again

(in which I underline the bit in my music to-do list to just churn out acoustic drum loops for a few evenings)

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Simple is good, really liking this one, more please…

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Thanks Bro, my latest patches definitely have been simpler due to extreme time constraints. Really just trying to enjoy the time I get to create. Cheers!

The drum patch creation is full blown addictive! Get around it. And yes, i’ve got a bit of millage out of each patch. Just like having a drummer ready to go when ever I need. Awesome to do my keys practice with as well.

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Raw vocal takes for a new track came out so nice I cut them together to create this little nugget. I threw the vocal takes into samplers and pushed them through verb and distorted delay, after a bit of cheap Logic X pitch correction of course. I edited the seperate FX tracks for a bit of texture variation.
Thanks Terry for letting me mess with his awesome voice!

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I love this :heart_eyes: Just Beautiful.

I’m going to make sure everyone I know hears this.

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Ah the famous T(erry)-Pain(e) FX. :laughing:

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