I don’t see how you will change some voices without separating poly.
Should I interpet voices as pitches?
if they happen at once and travel down one cable, then yes it is a number of voices of polyphony
They pitches are not happening at the same time in my rack. Currently I am working with mono exclusively.
Hi @Hirretr808
Could you patch this up and see if it would work for you:
Replace 8vert with your sequencer. Adjust "B offset"on Compare to where you want the split. Anything happening above the split will be offset/scaled by the Nysthi module, anything below the split will not be affected. Replace the scope with your oscillator/voice
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Are you using a quantizer ?
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Yes, I meant dissonance in the sence that they just dont sound good ie. highest note can easily be one or to steps two high or low, the highest notes are very noticable, so it would be very useful to be able to manipulate only those.
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Affirmative 
I patched it up. Now I am looking at it. I will write again when I draw some conclusion from it.
I am trying to transpose the highest pitch (step 4) on the sequencer. I cant get it to work. Also I can not get the same sound with the patch between VCO and audio as if i would connect the VCO directly into the audio.
Transpose high notes.vcv (1.8 KB)
So move the VCO to where the scope is. And plug Addr seq into Compare.
But why not just avoid all this and turn the 4th step on the sequencer?
Also, you should use a quantizer to avoid dissonance
When I have 3 sequencers feeding into a switch, sometimes I hear a high pitch step that is kind of off, and I want to correct it but I cant figure out what step it is on what sequencer that is the off one, but I can hear that it is the highest or second highest in pitch usually.
Ok now it is working, It only transposes the highest pitch. I wanted to ask what was the purpose of the attenueverter there i did not understand that. And also I dont understand the purpose of the switch also. I will do some experiment with the switch now.
In this image, the red cable carries the clock to the sequencer. the yellow cable carries the voltage from the sequencer to the VCO via a quantizer, which quantizes your pitch to a musical scale.
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Hello,
What I meant with dissonance is just that the step/pitch sounds bad (as in a bad choice) in the context that it is played. So dissonance in a subjective sence then, not technichal. =)
I think the compare B offset offer some solutions to my problem also with the clip function, it is alot of times where i want to edit the peak pitches.
Here is the setup with 3 sequencers.
Turn these two knobs to change the high pitches (which you set on the comparator).
Hope it helps
The comparator tells the switch then to switch over to the high pitches when it goes above the point you set, so that you can modify those pitches only.
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Yes this solves the problem thanks 
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Almost forgotten rhythm generator for just $70…? Featuring Doepfer A-151 Quad Sequential Switch
at 2:27 he shows a patch where i feeds 2 switches with different clock scources, I tried to figure out how and I did not.
Did I patch this upp correctly? I find it hard to set up something rythmical between the two snares (purpose is for dance music)
LFO Rythm 2.vcv (3.7 KB)
