now also on youtube
Beautifully crafted, congrats everyone and thank you
very very nice job, I donât know if I could do something like this, mixing different stuff from different people keeping the âwaveâ is something that has never passed thru my mindâŠ
sometimes closed, sometimes open, sometimes psychedelic, sometimes interstellarâŠreverses, basses, reprises, filtered voicesâŠall reminds me of an awakening creature
listened carefully, headphones on AND monitors+subwoofer
mixing something like this is challenging for sure, I have to learn a DAW, I must know if there is something similar to the âsidechain compressionâ BUT instad of working on the GAIN, that works on the EQ, so we have a âbasement/lowerâ track, to which would be applied a notch filter on the dominant frequencies of a âsoloist/upperâ trackâŠin some spots it would help a lot!
I have to re-post it on youtube [edit: I donât have 1000 subscribers, so I wonât be able to ]
again, congratulations
Un travail de mixage remarquable, ablaut . Une réussite de tous (Remarkable mixing work, ablaut . A success for all ). Merci à vous.
âI must know if there is something similar to the âsidechain compressionâ BUT instad of working on the GAIN, that works on the EQâ
Sounds to me like youâre looking for a spectral dynamic processor. I suggest you demo the following plug ins :
Wavesfactory - Trackspacer
Sonible - Smart.Comp
TBProAudio - DSEQ (highly recommended)
MeldaProductions - MSpectralDynamics
DSEQ is my overall favorite as it does its job perfectly and is easy to set up. MSDâs interface is very challenging at first but once you start to grasp it you can go DEEP. Both plugins allow you to do a lot more than spectral ducking. Trackspacer is only for spectral ducking. Smart.Comp also works great as a spectral compressor, but you canât get as deep as DSEQ or MSD.
Cheerz
thank you very much, I have just read here and there about this, and I think I can do it with (two) VCV SpectraâŠAm I right? what do you think?
I havenât played with Spectra that much so this is mostly guesswork, but you probably can use it to that effect with the envelope outputs > level inputs.
The thing is, with Spectra you have 16 bands, whereas with something like DSEQ or MSD you theoretically have control over every single frequency, so youâll get much more transparent results.
But Spectra has other very interesting uses too, so I guess best thing to do is experiment and have fun