When starting a new patch, I often grab Bogaudio’s FM-OP as a starter, because it is compact, polyphonic, flexible and easy to use. Sound is decent and it has a volume ADSR envelope built in. Nevertheless, I wonder which other good VCOs are out there.
What are your preferred VCO to get a patch going, and why?
EDIT (2026-02-02): TL;DR: Here’s the current short list:
Macro Oscillator (Audible Instruments)
Macro Oscillator 2 (Audible Instruments)
Resonator (Audible Instruments)
Even VCO (Befaco)
Pony (Befaco)
XFX Wave (Blamsoft)
FM-OP (Bogaudio)
Alloy (CV funk)
Prodigal Son (FLAG)
Warp Core (Infrasonic Audio)
CZSaw (Mockba Modular)
Anuli (Sanguine Mutants)
Funes (Sanguine Mutants)
Basic VCO (Squinky Labs)
FM Kitchen Sink (Squinky Labs)
Wallenda (Studio Six Plus One)
SurgeXT VCOs, including Classic VCO, Wavetable VCO, Sine VCO (SurgeXT)
If I had to choose only one it would probably be the SurgeXT:ClassicVCO. It’s got great features, timbre controls, stereo, unison modes and is very clean, flexible and efficient. Just sounds great and I can always use it very quickly in a patch.
I don’t have one! I’m really into resonators at the moment, so Anuli, Alloy and Wallenda are current favourites.
For really ambient/space ambient stuff I like wavetables - Surge one is great and Blamsoft.
In fact all the Surge VCOs are great, and I also like the Mutants version of Braids.
For other stuff and pads, Warp Core (phase distortion) and Prodigal Son (supersaw) are often used. All depends what I’m trying to do, and which techniques I’m messing about with that day. The only thing I’m not that keen on is traditional analogue style VCOs, I just don’t find them sonically very interesting
I don’t often have one in particular, usually I just randomly pick one from the favorites “settings,json” but I do use plaits and rings A LOT, especially Rings since it’s already plucky and doesn’t need an envelope… I do have MCO mkII but I usually use polyphonic oscillators and this post is trying to pull me back to my premium modules I bought last year…
Another Surge XT vote, plus Venom’s VCO Unit & Lab.
Lately being using Van Ties’ Ad a lot too, great additive oscillator.
Also, Befaco’s Pony VCO and Squinky’s Kitchen sink get a lot of use too.
… it’s still Bogaudio’s FM-OP for both solo voices or chords. I might be imagining this, but when I use its internal VCA there’s this particularly nice quality to how a very short attack sounds.
It is the default exponential envelope shape (or VCA response), where both the envelope rise and fall are concave up.
My XM-OP does not have the exponential option, but rather has an envelope curve control that gives the more typical rise concave down and fall concave up. But I agree the exponential response sounds great. I think if you don’t assign the XM-OP envelope to the level, but rather patch the envelope output to a VCA with an exponential response, and then send that output to the XM-OP level you can get XM-OP to sound similar to FM-OP. I have recently been thinking about an XM-OP enhancement that could give the exponential response. I’ll put a post in my Venom development thread about this.
All the Venom is extremely gratifying! Thanks everyone!
I think of an oscillator as a sound source. One of my favorite sound sources is a pinged resonant filter. My favorite used to be the Vult Unstabile filter. But now I like my Venom Multimode Filter even better for pinging. It also can produce a very stable +/-5V self oscillation sine wave that responds V/Oct over an extremely wide range. But I don’t think self oscillation is so important in virtual environments like VCV. If it were hardware I think that would be a pretty big deal.