You’re spewing out great modules like no other! And building up an ever growing library of high quality components to explore all sorts of synthesis techniques
I bet Venom Slew, and especially its V/Oct control over the slew rate, is a byproduct of your work on Sophia’s Daughter? Since FOF synthesis requires the envelope on the impulse train to correspond with the cycle length and thus the frequency?
Now that you jumped on the FOF bandwagon…
Here’s a short intro into another FOF implemention, closer to the original Vocal/Formant synthesis concept: CHANT