https://www.cosmocorp.com/en/kp-handler.cfm?CAT=S&SUBCAT=1&KN=1&src=17
I’m not sure this is the right knob, but they’re very similar.
These are usually called “chicken head” knobs. Pretty common on guitar amplifiers and audio processors the want to look “vintage”.
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Here’s one svg I made ,
now what ? 
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$$$$$
( now I need to write a “complete sentence” to make this forum software happy)
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That’s what I knew them as (Chicken head knobs). Cosmo has been in the market since 1945 - they call them “military pointer knobs”.
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I experimented with your new MIX4 modules in the patch and the first results are very promising!! The FM modulation/Rungling is much more “stable” in the extreme registers with the x2 oversampling I will post an updated patch when I am home. But I wanted to share my excitement over this improvement already! Great job @DaveVenom !!
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I read on one of the forums of Blippoo users that the chicken head knobs actually influences the way of playing the instrument a lot: With round knobs you tend to dial in slow changes; with the sensitive chicken heads you tend to “swap” them quicker by just quickly tapping them, resulting in more abrupt or versatile changes.
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Here is the refined patchfile BLIPPOO BOX V2_ROB HORDIJK.vcv (17.9 KB)
and a quick testdrive
hope you like it!
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I did some more experiments, and now I see what you mean about the Slime Child LP4 vs the Vult Lateralus. The LP4 does an excellent at creating really nice pings over the entire frequency range, without ever self oscillating. In contrast, setting the Lateralus to ping well at low frequencies causes it to self oscillate at high frequencies.
I created my own version(s) of the Blippoo Box, and so far the best free filter I have found is the Vult Unstabile, just like with the Benjolin. I don’t think the BP feedback works as effectively, but it does ping over the entire range beautifully without self oscillation.
Here are two versions of the Blippoo Box - the first is my attempt to recreate the original design, and the second adds an extensive patch bay along with a few extra knobs so that you can experiment with different combinations of signals that the Blippoo Box is able to generate. Thanks Koen for all the info about Rob’s Hordijk’s many variation. I did some more searching, and it looks like he had more than just the three variations. Much like your patch, my goal was to allow the user to explore as many combinations as possible.
These are the first patches I am releasing where I feature my new Venom MIX 4 module.
Blippoo Box.vcv (5.3 KB)
Blippoo Box Extended.vcv (8.6 KB)
And here is a patch and video where I combine the extended version of the Blippoo Box with my newest version of the Benjolin (I’m calling it a Benjolippoolin). The patch demonstrates some really nice autogenerative possibilities. I may be playing with this combination for a while.
Autogenerative Benjolippoolin.vcv (12.4 KB)
And lastly here is the Benjolin on its own. I’ve included notes, and maximized usage of the Venom plugin, and also rearranged and labeled patch sections logically so it is easier to trace how it is constructed.
Benjolin V5.vcv (7.1 KB)
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Most of my filters don’t self oscillate, but both F2 and Stairway are carefully tuned to have consistent Q across the audible frequency range. Without that very strange things would happen at high frequencies.
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Yes - I tried the F2. It definitely worked, but the ping was not as satisfying. It was interesting, because the F2 Par - is effectively a self contained Twin Peaks in one module. But instead of having independent direct control over the two frequencies, F2 has one cutoff control, and the R Spread controls the distance between the resonant peaks.
Were you aware of the similarities with Rob Hordijk’s Twin Peaks when you created F2?
I need to try out the Stairway. I think the module width discouraged me from trying it - I tend to favor compact modules. But I will run some experiments now.
@Squinky Oh my! The Stairway works really well. Its inability to self oscillate makes it ideal for use in a Blippoo Box. I’m getting some gorgeous tones by using 2P LP mode and patching Left out to Right in. I think that effectively makes the Right out a 4P LP, and I use the Left 2P output for FM feedback. In theory I think this may be more similar to Rob Hordijk’s actual Twin Peaks. The Clean mode especially sounds good.
I save considerable space by turning stereo polyphony on and using two Grande Merge Split modules, so I only need one Stairway to get both filters (peaks). One Merge Split is used for the input and the 4P output. The other Merge Split is used for the cutoff CV and the 2P output. Both peaks get the same Q modulation, so monophonic Q CV is perfectly fine.
I probably won’t use Stariway in a Benjolin because it cannot simultaneously output LP, HP, and BP. But I may switch to using Stairway in the Blippoo Box going forward.
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haha - no I had never heard of a twin peaks before. I was actually trying to make a digital version of the “state variable four pole” filter from Electronotes magazine. I built one in 1978, pictured below. Unfortunately, once I purchased all the back issues and tried to do it digitally, it didn’t work well. It was called F4. No doubt my own incompetence at DSP. So I “pivoted” to F2.
Glad you like Stairway. I also don’t like huge modules. On this one of course there are a zillion controls. Some don’t do much, or aren’t very interesting. It would be “very easy” to clone it and remove the ones you don’t like. Also, it would be trivially easy to output any of those responses at the same time.
The thing I don’t like about Stairway is that it is such a CPU pig, and isn’t polyphonic.
I had a lot of fun making both those filters. While they borrow plenty from other filters, they are for sure my own creations. Stairway is pretty popular, F2 less so.
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I don’t think I would remove anything. I’m finding sonic use for pretty much all the knobs. But sacrificing some of the more esoteric CV control and substituting multiple outputs might be cool. An option to route CV1 to cutoff 1, and CV2 to cutoff 2 I think would be great for realizing interesting formants. And an option to enable self oscillation would be wonderful.
I don’t find the CPU usage egregious, and it is now fully polyphonic.
Here is the Extended Blippoo Box using Stairway.
Blippoo Extended Stairway.vcv (8.8 KB)
And here is the autogenerative combined Blippoo Box and Benjolin, with Stairway in the Blippoo Box:
Autogenerative Benjolippoolin Stairway.vcv (12.2 KB)
I vacillate as to which Stairway voicing I like better. I find Transistor, Asym Clip, and Clean to be distinctly different, and all three useful within the Blippoo Box.
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Hi Dave,
Just replying to this one so it stays on the same subject:
I am revisting the patch again after a break and improving some elements. One major improvement is using the Cytomic CF100 as filter cores (since this emulation is very close to the original hardware SM2040 filter chips) the result is very satisfying!
I stumble on one obstacle though when using the patch in extreme settings: the S&H control is aliasing quite a lot. I can reduce it by running the patch at 194kHz, but this is very CPU intensive -almost at the border of my M1 MacBook. I have tried different S&H modules in VCV, but none of them can cope with the high audio rate triggers that come from the Venom Wincomp. It is only audible at very high sampling rates. So not a very big deal, but nevertheless:
I would be very grateful (as I still lack the coding skills) if there could be a Venom S&H module 
with oversampling
Interesting. I know that logic gates introduce aliasing when run at audio rates. On my list of future modules is definitely a flexible logic module that has an oversampling option. But I had never considered oversampling a sample & hold. I will file that idea away and maybe in the future create something.
But I’ve already locked down what is going in my next version that is in beta. And I am pretty sure the release after that will be all about a VCO/LFO and an envelope generator. So it will likely be a while before I get around to the logic module, and possibly the S&H module.
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Thanks and no rush at all!
I will be diving into a new project anyway, which is an interpretation of the Lunetta Moosack Machine
On a side note:
I do like the restriction of 12-16 knobs as a controller, making it an instrument you can practice and master without drowning having too much parameters otherwise.
I recently got a dedicated midi controller for this purpose
The quality of this one is superb and really gives me a feel of using a hardware instrument.
This is a tangent but, this thread made me want to patch something loosely inspired by the Blippoo / Benjolin.
It has a dual VCO, shift register, comparator, filter, but I wanted to add a quantizer, and a second (polyphonic) phase modulation voice (modulated by the main one). Having those 8 outputs on the shift register gives a lot of modulation possibilities, I like how it sounds alive and does not really repeats but not totally random either (well to me at least).
Here is the patch : Blipididon’t.vcv (6.1 KB)
And a quick recording of it :
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I am really enjoying the patch! It has been playing for the past 1 hr plus non-stop.
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