I’m interested in feed back (@Squinky in particular) for this track. In particular suggestions for making it a bit more melodic and musical.
Instead of brute-forcing it (with 5 Harmonies and 8 AS Signal Delays I use the Squinktronix Arpeggiator to generate 5 voices of arpeggiator, spread over time with a smaller number of Signal delays.
To be honest, the other way I’ve leveraged multiple Harmonies sounds more like actual music than this does. But I reckon there’s some combination here that would be more musical than this is, since it’s just a proof of concept.
I’m also foggy about the difference between clock and gate on the Arpeggiator. Not that I’ve read the manual or anything.
Iirc, the clock is a global input, and is monophonic. The gate output is polyphonic, and only one channel at a time will follow the clock. I.e. one note at a time will have gate high.
That makes sense. On the other hand there’s how I do and just bash in CV and gates until something comes out at the end. I was intrigued by the way it steps through chord inversions, and wondered “what if I had a bunch of Harmony and Arpeggiators? What would that sound like?”
I’ll have to think about ways to make it sound a bit less jackhammer relentless. That’s why I was using 1P clock dividers to change up the the clocks on the various arpeggiators. Thin out the triggers. And thinned out triggers give you rhythm!
