LIFE Magazine and the “A Clockwork Orange” soundtrack led me to electronic music; 90 minutes with a 2600 in 1972 made me a lover of sliders and patchcords and generative patches.

I’ve played with a lot of other stuff (Supercollider, Csound, Max), but nothing else other than Rack has gotten me to that “let’s connect this to that, and turn this, and see what happens” place as well as the 2600.