he means may 1st 2025.
edit to say: or maybe he means that we’re all late entrants into the contest of life? You are free from deadlines! Destroy the shackles that bind us!
A bit of vintage nostalgia for mall rats
I fed one of the arps into a snare drum for both melody and percussion, and then trashed everything.
The other arp is for the bass.
It’s got some nice '80s keyboards and slow gated reverb drums with some FM ambience. (Suddenly I sound like an estate agent). I spent a lot of time worrying myself about how to structure the piece (trying to turn stuff off and on with an LFO) and then just used my normal approach (with gate-seq64). Actually, @ablaut could we have a vcp focused on some particular form of structuring? Ideally something that all the clever composers use that I don’t know. I liked being forced to learn merengue last time, even if I did a bad job.
Some good news reached me while on this challenge and shaped the result. While trying to focus on Hampton Harmonic’s Arp I also tried to work with modules I rarely use. mscHack’s Triad 2 might become a more frequent guest to my pachtes as will oscillators by dbiz.
One chord/seq on Keystep, chord in 2 ARP from HamtonHarmonics, FM-OP poly, drums (classic one)
Performance on Beatstep Pro : mute on MixMaster and variations Pattern/Octave of ARP via encoders
finally I finished again an entry for the VCP
so here is my little try at the Hampton Harmonics ARP module,
I sequenced the whole thing a bit with my mouse, so please be gentle