I see, those statements can appear a bit maximalist, he undoubtedly pushed some stretch in the comparison with Abletone tutorials, following a personal idiosyncrasy with some educational clichés, and somewhat simplistically assuming a direct consequence on a well more complex topic, that is the overall quality of musical outcome in our times. That is a so subjective matter!
For the remaining, he unfolded some original points of view, the more I appreciated was the “meditative” argument, i.e. meditation and musical creativity as a state of flow.