Here is my jazzy entry that uses Imagine to drive almost all the elements of the patch.
One drum voice gets gates directly from Imagine processing the chroma values. Gates for three additional drum voices are derived by different permutations of RGB pairs passing through a comparator that fires a gate when one signal is higher than the other. The chaotic gates are then conformed to a musical grid via a clock with sample and hold. The only voice that does not use Imagine is the hi-hats - The clock passes through one Bernoulli gate to determine if the hi-hat will strike, and another Bernoulli gate to decide between open or closed.
The melodic line uses the slewed green signal to drive the new Intervallic Pair Quantizer from CuteFox Modules. The resultant V/Oct sequence is doubled with one voice offset 2 octaves and a fifth. Another Bernoulli gate determines whether the gate is sent to the bass or treble channel of the polyphonic FM-OP. The FM depth is subtly modulated by the slewed minimum value of the red and blue signals. And that pretty much sums up the entire patch.
I did not do anything special to rhythmically align the melody with the drums. To my ears it just seems to work.