Also, remember that many/most of them support the clipboard to copy paste with other sequencers, or in this case with each-other. Actually, now that I think about it, I’m not sure that’s accurate, but @marc_boule can tell us.
oh, nice! Am I right in assuming that new users can start sequencing in PS16, 32, or Foundry and change their minds later any copy all their data that way?
Only one sequence at a time though, unfortunately, and things like slide and the song itself will not be copied, but with patience it can still save some time.
gateseq64 is a mainstay for me, though i tend to use it to control the structure of tracks rather than for beats. I guess this is finally the opportunity to learn Foundry that I’ve been anticipating.
(I continue to like Gateseq as a drum sequencer with probability and patterns and all that, but to send control triggers - say, open a delay every 4 bars or so - JW’s fairly recent Trigs has won me over)
you can do some nice microtonal stuff with any decent quantizer. NSYTHI’s can load scala files (and if you look online there is a whole world of them out there).
And if I may be so bold, you can check out Frozen Wasteland’s Probably Not(e) series of Quantizers - the Bohlen Pierce and Arabic versions explore specific micro-tonal scales and if want to go down the rabbit hole, the Math Nerd version lets you generate all kinds of cool micro-tonal scales (all under cv control!)
Thanks, more adventures in my sound journey, I will give the Scala archive [Oct 2020] a good try out in Nysthi’s Poly Scala. Also your modules as well, I have used the Arabic version not tried Bohlen Pierce though.
Much appreciated.
Thanks. Video work is mostly Photoshop, really, where I make a .png with the modules eventually cut out (and same cables redrawn) to place over the screen-recording.
I asked for a “streaming mode” a while ago so that we could just have a green background instead of the grey stuff and shadows but it hasn’t been accepted yet.