Purf patches - Previously, on VCV

Music & Patches
99

Keeping Glass Pane, introducing Opulus (to me, that is). Another premiere here is Bogaudio’s Assign and that I’ve understood why Fate has two outputs!

In case that’s of interest, some midi controller’s knobs for ● red Bernoulli Gate for the density of the plucky voice from Opulus I, blue Bernoulli Gate to mute triggers for the sustained voice from Opulus II ● XFade between a HP/platereverbed version of plucky voice, another knob for the filter ● Fate’s depth ● the fade to Dmaj on Mother ● modulation depth on Julste (not used)

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100

nice

101

A wee one with Path Set

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102

was recording the endangered sound of using a pencil to fix spilled cassette tape, out of habit through VCV/Simpliciter, and… one thing led to another. Untamed Resonator, which I seem to have broken in the process, for some extra Musique Concrète :wink:

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103

a short excursion into beats and possible (maybe literal) songs, with a hefty helping hand by Omri’s recent video. Also, playing that chord progression over and over on the piano without being able to do something else with my occupied hands made me finally get the Entrian collection :wink:

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104

I don’t think this qualifies for === vcp challenge #71: docb === but here’s a snapshot of what happened along the way. As often in my VCV journeys, a shoutout to previously neglected modules: Vult’s Disjoint & SquinkyLabs’ Shaper

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105

it’s hard to see, but did you use any docb modules?

106

4th module 2nd row appears to be the pad sequencer…

107

In the 2nd row toward the left I see 4 docB modules:

  • PWM Clock
  • M851
  • Chords
  • PAD (?)
108

What Dave wrote. Main clock and chord creation/sequencing.

109

seems enough to include it in the challenge. it’s not like we have too many submissions…

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110

When comments lead to experiments. More often than not fruitful stuff:)

Not a Risset rhythm but.

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111

I like it, pretty please is the patch available for others to play around with?! Go on, go on! Much appreciated.

112

It’s a mess, beware :wink: Things to know and/or play with: Leftmost Knobs with the Switch for performance fun with the frequency of the Shepard Gen. The other Knobs set parameters for the Bell Curve. Upper are best untouched, the lower one adjusts the curve’s width, best kept at really low voltage. BPM and acc-/deceleration come from the Offset module between the Mutes and the upper Scope, but not synced to the hihat-sound.

113

Thanks see what I can get out of it, ‘Upper are best untouched’ now you’ve done it. Alsorts of mayhem will ensue!

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114
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115

My favourite module collection that no one else seems to use: dBiz :black_heart:. Speaks to me. Here I’m going through the possibilities of a sound for Techno patch. Kick for reference;)

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116

Iiiii… am probably going to abuse Bridge.

Also featuring a hefty use of Delay as a repeater/short looper and Hello, Liquid Filter, how have I slept on you and your ability to distort via FM for so long!?

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117

Another one, actually predates the patch above in regards to experimenting with a delay like this, but now incorporates this idea into the two XFXs here - one with Harmonics, one without, very happy with that sound:) - as well as a Trains theme. I could probably edit it down quite a bit, there’s more to see than to hear but I sometimes like having options.

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118

Wow that’s lovely Urs.

Great to see you run with the idea which makes much more sense in the context you have used it here (one XFX with harmonics, the other without) than it did when I suggested it as a way of introducing offsets in a V/Oct signal :slight_smile:

Here’s to happy accidents!

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