Not at the desktop rn. It’s a simple setup: have a mixer that controls what goes onto the tape
I have a vst (piano), Microfreak’s own sound, a particle noise, a sample(r), and the tape’s output through a pitched up clouds and a signal delay back to the mixer. Tape is set to, I dunno, a few bars, 8 or 16? At the end of everything is an Xfade between the tape’s output and it’s output through Clouds, so I can smoothly end the session. Add effects to taste.
Thank you for the info, I’ll try rebuild the patch or download when you are ready. Much appreciated.
My Venom v2.6 beta has the 3 hp 5 knob controller, with independently configurable voltage range for each knob. There is a 5 button module as well with even more options. Hopefully it won’t be too long before it hits the library.
Previously, on VCV
feed set notes into ArpSeq but constrict their range to 0 and then open up.
in which I revisit this piece/patch
Étude for PPW
The thing from recently, a longer version of the Squinktronix challenge; notable features: a DIY ratcheting machine with ADDR-Seq & RGate (ratcheting very slowly here) and the dragging hihats with a slightly slower LFO and reset on every bar.
and then I spent some more time with this bouncy, offbeat modulated AD into filter cutoff and…
Roundup.
the one from my take on Omri’s take on a VCV recreation of the Solar 50
The one with the Biset tracker. Quite a possible gamechanger collection, those modules, but I will also have to remind myself to use them. Much like Midinous.
The one from today.
the one from my take on Omri’s take on a VCV recreation of the Solar 50
Really like that one Urs.
Bit of a roundup, since it’s been a while!
The Dreamworld Challenge I II III
And toying, once again, with the idea of two long envelopes, rising and falling at different speeds, sampled & held by two different trigger sequences, and then some.
Some lovely work here. I liked Dreamworld III in particular, really atmospheric.
[intermission]
A tiny something with the 6yo’s ukulele - the thing gives me joy. I if were normal, I would have done this in Ableton, probably, but no. Simpliciter, FM-OP, Plateau/Valhalla.
I don’t think I’d ever built a synth patch before, to actually play, on a keyboard, so here’s one. Based on a saved selection with some modules around Synthesis Technology’s E340. It escalated a bit. Controls for attack, fold, the amount of ~fraying, the 2nd voice Opulus’ volume, attack and aftertouch for opening the filter and sending audio through Clouds.
One with this one.
I’ve actually played a lot with the Oneiroi since its release, but just with IT and the Microfreak and while I had a ton of fun, I didn’t quite feel like I got a 𝕋𝕌ℕ𝔼 out of it and/or filmed it nicely enough to share. So today, I made some noise instead
Which is what I maybe want to embrace for this Jamuary.
That was strangely interesting and haunting.
Really liking 1 and 3, nice work!
Ha! I wanted and still plan to do some more abstract noise nonsense, but maybe it is indeed not quite my cup of tea
(The second half has some alright moments, I think)
Great sounds